In 1954, the Daigo Fukuryū Maru (“Lucky Dragon No.5”) was fishing near the Marshall Islands, in the northern Pacific. On March 1, 23 fishermen were witness to a western sky that “lit up like a sunrise”. For eight minutes, they watched the mushroom cloud rise into the sky. And then came the sound of the explosion. Next came the fallout, the fine white dust, calcinated coral of the Bikini atoll, falling like snow from the sky.

The fishermen returned to Yaizu, Japan two weeks later, all 23 suffering from nausea, headaches, bleeding from the gums, and other symptoms. They were now “hibakusha”. “Explosion-effected people”.
The atomic explosions at Hiroshima and Nagasaki were only nine years in the past, and a fierce anti-nuclear sentiment was building in Japan. In this context, there arose a metaphor for all that destruction. Literally rising from the sea, this product of the Japanese entertainment industry took the form of a monster, “Godzilla”, the first film released this day, in 1954..

The name is a portmanteau, two words combined to form a third, of the Japanese word “gorira”, meaning gorilla, and “kujira”, meaning whale. Godzilla was the Gorilla Whale, with the head of a Tyrannosaur, Stegasaur-like plates on its back and skin modeled after the keloid scarring of the hibakusha.
The original Godzilla (“ɡodʑiɽa”) was awakened by atomic testing and impervious to any but a nuclear weapon. Emerging from the depths with its atomic breath, havoc and destruction was always accompanied by the distinctive roar, a sound effect made by rubbing a resin glove down the strings of a bass violin, then changing the speed at playback.
The actor who played Godzilla in the original films, Haruo Nakajima, was a black belt in Judo. His expertise was used to choreograph the monster’s movements, defining the standard for most of the Godzilla films.
Originally an “it”, Godzilla was usually depicted as a “he”, although that became a little confusing in the 1998 American remake “Zilla”, when he started laying eggs.
He was a Kaiju, a Japanese word meaning “strange creature”, more specifically a “daikaiju”, meaning a really, really big one. He is the best known, but certainly not the only such creature. You may remember other kaiju, including Gamera, Mothra, King Ghidorah, Mechagodzilla and Rodan.
Godzilla has appeared in 28 original films, with more in the works. Over the course of his existence he has been a hero, a villain, and a destructive but values-neutral force of nature.
Godzilla got his own star on the Hollywood “Walk of Fame” in 2004, timed to coincide with the release of the 29th movie, “Godzilla: Final Wars.” Instead of nuclear weapons testing, this version was spawned by “environmental pollution”. It takes the superheroes of the “Earth Defense Organization” (but, of course) to freeze him back into the ice of the South Pole. The film was a flop, grossing less than $12 million after a production budget of $19 million.
The franchise came roaring back ten years later, when Godzilla was released in 2014, grossing $200 million domestically and $529.1 million on worldwide sales.
A film franchise 63 years in the making is still going strong, and will continue to do so, for the forseeable future. Godzilla: King of the Monsters is set to be released in 2019 and Godzilla vs. Kong, in 2020..


Emil Joseph Kapaun was the son of Czech immigrants, a farm kid who grew up in 1920s Kansas. Graduating from Pilsen High, class of 1930, Kapaun spent much of the 30s in theological seminary, becoming an ordained priest of the Roman Catholic faith on June 9, 1940.





In the Netherlands, ice hockey began sometime in the 16th century. North Americans have played the sport since 1855. For all that time, flying hockey pucks have collided with the faces of goalies. The results could not have been pretty.



In 1436, Vlad II became voivode, (prince), of Wallachia. The sobriquet “Dracul” came from membership in the “Order of the Dragon” (literally “Society of the Dragonists”), a monarchical chivalric order founded by 
Ethnic Germans had long since emigrated to these parts, forming a distinct merchant class in Wallachian society. These Saxon merchants were allied with the boyars. It was not long before they too, found themselves impaled on spikes.

The radio drama began with a statement that what followed was fictional. The warning was repeated at the 40 and 55-minute mark, and again at the end of the broadcast. It began with a weather report, and then went to a dance band remote, featuring “Ramon Raquello and his orchestra”. The music was periodically interrupted by live “news” flashes, beginning with strange explosions on Mars. Producer Orson Welles made his first radio appearance as the “famous” (but non-existent) Princeton Professor Dr. Richard Pierson, who dismissed speculation about life on Mars.
The dramatic technique was brilliant. Welles had his cast listen to the Hindenburg tape, explaining that was the “feel” that he wanted in his broadcast. Fictional on-the-spot reporter Carl Phillips describes the death ray in the same rising crescendo, only to be cut off in mid-sentence as it’s turned on him.
The New York Times reported on Oct. 31, “In Newark, in a single block at Heddon Terrace and Hawthorne Avenue, more than 20 families rushed out of their houses with wet handkerchiefs and towels over their faces to flee from what they believed was to be a gas raid. Some began moving household furniture”.
Born on October 29, 1921 in New Mexico and brought up in Arizona, William Henry “Bill” Mauldin was part of what Tom Brokaw called, the “Greatest Generation”.
Mauldin developed two cartoon infantrymen, calling them “Willie and Joe”. He told the story of the war through their eyes. He became extremely popular within the enlisted ranks, while his humor tended to poke fun at the “spit & polish” of the officer corps. He even lampooned General George Patton one time, for insisting that his men to be clean shaven all the time. Even in combat.
Mauldin later told an interviewer, “I always admired Patton. Oh, sure, the stupid bastard was crazy. He was insane. He thought he was living in the Dark Ages. Soldiers were peasants to him. I didn’t like that attitude, but I certainly respected his theories and the techniques he used to get his men out of their foxholes”.
Bill Mauldin drew Willie & Joe for last time in 1998, for inclusion in Schulz’ Veteran’s Day Peanuts strip. Schulz had long described Mauldin as his hero. He signed that final strip Schulz, as always, and added “and my Hero“. Bill Mauldin’s signature, appears underneath.
In New York city and “upstate” alike, economic ties with the south ran deep. 40¢ of every dollar paid for southern cotton stayed in New York, in the form of insurance, shipping, warehouse fees and profits.
“Town Line”, a hamlet on the village’s eastern boundary, put it to a vote. In the fall of 1861, residents gathered in the old schoolhouse-turned blacksmith’s shop. By a margin of 85 to 40, Town Line, New York voted to secede from the Union.
A rumor went around in 1864, that a
Even Georgians couldn’t help themselves from commenting. 97-year-old Confederate General T.W. Dowling said: “We been rather pleased with the results since we rejoined the Union. Town Line ought to give the United States another try“. Judge A.L. Townsend of Trenton Georgia commented “Town Line ought to give the United States a good second chance“.
Fireman’s Hall became the site of the barbecue, “The old blacksmith shop where the ruckus started” being too small for the assembled crowd. On October 28, 1945, residents adopted a resolution suspending its 1861 ordinance of secession, by a vote of 90-23. The Stars and Bars of the Lost Cause was lowered for the last time, outside the old blacksmith shop.
This is a story of Independence, of Revolution. Of overthrowing a Spanish-speaking government, and creating an Independent Republic in the American South. Its banner was a single, five-pointed white star on a blue field. It was the original Lone Star Republic. The Republic of West Florida.
The French first came to America in 1524, colonizing vast expanses from Quebec to Green Bay in the north, Baton Rouge to Biloxi in the south. They sought wealth, territory and a route to the Pacific Ocean. What they got was endless conflict.
President Jefferson bought 828,000 square miles from the French in 1803, doubling the size of the United States, but the exact borders were unclear.
That was about it. Surviving soldados fled, as the flag of the new Republic was unfurled over the fort: a dark blue field with a single white star. The whole thing had taken about a minute.

Late in 1917, Colonel A. W. Bloor was serving in France with the 142nd Infantry Regiment. They were a Texas outfit, constituted in May of that year and including a number of Oklahoma Choctaws.








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