November 15, 1963 Unintelligible at Any Speed

In 1955, singer-songwriter Richard Berry wrote a tune about a Jamaican sailor returning home to see his lady love.  It’s a ballad, a Caribbean-flavored conversation in the first person singular, with a bartender. The bartender’s name is Louie.

MI0001688683.jpgIn 1955, singer-songwriter Richard Berry wrote a tune about a Jamaican sailor returning home to see his lady love.  It’s a ballad, a Caribbean-flavored conversation in the first person singular, with a bartender. The bartender’s name is Louie.

The song was covered in Latin and and R&B styles in the 1950s, never becoming more than a regional hit on the west coast.

“Mainstream” white artists of the fifties and sixties often covered songs written by black artists. On April 6, 1963, an obscure rock & roll group out of Portland, Oregon rented a recording studio for $50, and covered the song.   They were The Kingsmen.  Lead singer Jack Ely showed the band how he wanted it played. Berry’s easy 1-2-3-4, 1-2, 1-2-3-4 ballad was transformed to a raucous 1-2-3, 1-2, 1-2-3 beat.

The Kingsmen recorded the song in a single take. The guitar was chaotic, the lyrics difficult to make out.  The single was released by a small label in May and re-released by Wand Records in October.

Rock music is so mainstream now, it’s hard to remember the style was once considered subversive.  Decadent.  The impenetrable lyrics led to all kinds of speculation, driving sales through the 15th of November, all the way to the Billboard Top 100 chart.

louie-louie.jpgIt all went downhill from there.  “Louie Louie, me gotta go,” became in the fevered imagination, “Louie Louie, grab her way down low.”  Invented lyrics ranging from mildly raunchy to downright pornographic were written out on slips of paper and exchanged between teenagers, spurring interest in the song and driving record sales, through the roof.

Music critic Dave Marsh later wrote:  “This preposterous fable bore no scrutiny even at the time, but kids used to pretend it did, in order to panic parents, teachers and other authority figures. …So ‘Louie Louie’ leaped up the chart on the basis of a myth about its lyrics so contagious that it swept cross country quicker than bad weather.”

Concerned parents contacted government authorities to see what could be done. One father, a Sarasota, Florida junior high teacher whose name is redacted in FBI files, wrote to Attorney General Bobby Kennedy:

“Who do you turn to when your teen age daughter buys and brings home pornographic or obscene materials being sold along with objects directed and aimed at the teenage market in every City, Village and Record shop in this Nation?” The letter asserts “The lyrics are so filthy I cannot enclose them in this letter” and concludes with a plea, complete with four punctuation marks: “How can we stamp out this menace????”

louierfk1 (1).gifDad might have taken a breath.  The pop culture scene was not so steeped in filth, as he imagined.  The top television program of the time was the Beverly Hillbillies.  The top movie the Disney animated production, “The Sword and the Stone”.

Louie4.jpgThe FBI took up an investigation under the ITOM statute in 1964, a federal law regulating the Interstate Transportation of Obscene Material.  Investigators interviewed witnesses. They listened to the song at varying speeds, backward and forward.  The relentless search for lascivious material lasted two years and in the end, came up empty.

The FBI’s archival website contains 119 pages, covering the investigation.  In the end, the song was ruled “unintelligible at any speed”.

Inexplicably, G-men never interviewed Kingsmen lead singer Jack Ely.  He probably could have saved them a lot of time.  The lyrics never did measure up to the fevered imagination, of a Sarasota schoolteacher.

Louie Louie, with lyrics

The song has been covered by numerous artists over the years, including Paul Revere & the Raiders, Otis Redding, Motorhead, Black Flag and Young MC.  The best ever though, has got to be the Delta Tau Chi fraternity version from John Landis’ 1978 movie, Animal House.

“OK, let’s give it to ’em.  Right now”.

January 17, 1976 He Gave us Laughter

Prodigious abuse of drugs and alcohol got Belushi fired on multiple occasions, but he always came back.  John Belushi was an original.  There was no other.

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High School yearbook photo. “Killer” Belushi received a football scholarship to Western Illinois University, but turned it down.  He had other things to do.

Lead vocalist “Joliet Jake” Blues (John Belushi) and harmonica player/backing vocalist Elwood Blues (Dan Aykroyd) made their musical debut on January 17, 1976 in a comedy sketch on Saturday Night Live.

The Blues Brothers appeared on two more SNL sketches, both in 1978, before releasing their first album that same year: Briefcase Full of Blues. The Blues Brothers film created around the two characters was released in 1980.

Dan Aykroyd developed his musical talents during the late 1950s and early sixties at an Ottowa night club called Le Hibou (French for ‘the owl’), saying “I actually jammed behind Muddy Waters. S. P. Leary left the drum kit one night, and Muddy said ‘anybody out there play drums? I don’t have a drummer.’ And I walked on stage and we started, I don’t know, Little Red Rooster, something. He said ‘keep that beat going, you make Muddy feel good.”

Eric Idle of Monty Python was once an SNL guest host.  Idle paid the ultimate compliment to Aykroyd’s comedic ability, saying  he was “the only member of the SNL cast capable of being a Python“.

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John Belushi joined The Second City comedy troupe in 1971, playing off-Broadway in National Lampoon’s Lemmings, and played The National Lampoon Radio Hour from 1973 to ’75, a half-hour comedy program syndicated on over 600 stations.

hqdefault (10)He appeared from 1973 – ’75 on The National Lampoon Radio Hour, along with future SNL regulars Gilda Radner, Chevy Chase and Bill Murray. A number of radio segments went on to become SNL sketches in the show’s first couple of seasons.

Ackroyd tells a story about long days of rehearsals on the SNL set. An exhausted John Belushi would wander off and let himself into the house of a friend or a stranger, scrounging around for food and falling asleep in the house, unable to be found for the next day’s work. Such outings were the inspiration for the SNL horror-spoof sketch “The Thing That Wouldn’t Leave”.

Prodigious abuse of drugs and alcohol got Belushi fired on multiple occasions, but he always came back.  John Belushi was an original.  There was no other.

thingAnimal House, the film that launched Belushi’s career on the big screen, almost didn’t happen.

The first draft of the screenplay by Harold Ramis and Douglas Kenney was about Charles Manson in High School, entitled Laser Orgy Girls. The script was rejected, unsurprisingly, leading to a three-month cram writing session and an entirely different cast. Even then, the project only got off the ground when Donald Sutherland signed up to play Professor Jennings.

“Faber College” is really the University of Oregon, the only school that would let the production on campus. Years earlier, the Dean had declined to allow The Graduate to film there. He wasn’t going to miss another shot at Hollywood. Without even reading the script, this guy gave the production such carte blanche, that he allowed the use of his own office to film the Dean Wormer scenes.

I wonder if he ever had second thoughts.

Remember the band at the Dexter Lake Club? “Otis Day” was played by actor DeWayne Jessie. Animal House became so popular and such a boost to Jesse’s career that he legally changed his name.  To this day, he still tours with the band as “Otis Day and the Knights”.

There’s a popular myth that Belushi actually “chugged” a fifth of Jack Daniels during that one scene, but it was really ice tea.  Even so, Belushi’s abuse of drugs and alcohol, were legendary.  He would hire “bodyguards” and “trainers” to keep him on the straight & narrow, and then slip out the door.  Periods of sobriety were usually in response to a specific challenge – doing a movie, meeting a film deadline –  the same challenges that drove him over the edge and into another bender.

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On the evening of March 4, 1982, Belushi spent the evening partying with Catherine Evelyn Smith, a former back-up singer and groupie for The Band described as a “strung-out addict and a drug dealer”, and former SNL writer Nelson Lyon.  The three ingested massive quantities of alcohol and even more cocaine, stumbling about the precincts of West Hollywood, looking for another party.

According to Smith, the pair ended up back at Belushi’s room at the Chateau Marmont, where Belushi asked her to shoot him up with a “Speedball”, a combined injection of heroine and cocaine.  Comedian Robin Williams and actor Robert DiNiro visited over the small hours of the morning, to find the pair in a daze.  Williams left around 3:00am saying “If you ever get up again, call.”

He later said he didn’t understand what Belushi was doing with “that lowlife”.

rs-28717-22878_lgJohn Belushi was found dead the following morning.  The cause of death was originally thought to be an accidental overdose.  Cathy Smith was extradited from Canada and tried on first degree murder charges following a National Enquirer interview in which she admitted giving Belushi eleven speedballs. A plea bargain reduced the charge to involuntary manslaughter.  She served fifteen months in prison.

In his 1984 book Wired: The Short Life & Fast Times of John Belushi, investigative journalist and non-fiction author Bob Woodward writes of a man out of control. Belushi’s widow Judith Jacklin Belushi participated in the project, apparently hoping for a more sympathetic depiction. “Instead”, writes Rolling Stone, “she got 432 pages of cold facts, the majority of them drug related and ugly”.

Film critic, screenwriter, and author Roger Ebert wrote: “The protests over Woodward’s unflinching portrait of Belushi’s last days reminds me (not with a smile) of an old Irish joke. The mourners are gathered around the dead man’s coffin.
“What did he die of?” one asks the widow.
“He died of the drink,” she says.
“Did he go to AA?”
“He wasn’t that bad.””

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Judy arranged for a traditional Albanian Orthodox Christian funeral in which Belushi was interred, twice. The first was in Chilmark on Martha’s Vineyard, an island just off Cape Cod, in Massachusetts. There, a classic New England slate tombstone, complete with skull and crossbones, marks the location. The inscription reads, “I may be gone but Rock and Roll lives on.” An unmarked tombstone in an undisclosed location marks his final resting place.

John Adam Belushi is remembered on the Belushi family marker at his mother’s grave at Elmwood Cemetery in River Grove, Illinois.  This stone reads, “HE GAVE US LAUGHTER”.

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If you enjoyed this “Today in History”, please feel free to re-blog, “like” & share on social media, so that others may find and enjoy it as well. Please click the “follow” button on the right, to receive email updates on new articles.  Thank you for your interest, in the history we all share.

January 3, 2000 Peanuts

Over fifty years, Schulz drew nearly 18,000 strips, taking vacation only once in 1997, to celebrate his 75th birthday.  In all that time, that five-week stretch was the only time the papers ever had Peanuts reruns.

Schutz-LetterCharles Monroe Schulz was one of the brighter kids at Central High School in Saint Paul, Minnesota, but that didn’t help his social life. He was already a shy boy and skipped two half-grades, graduating as the youngest student in the class of 1940.

The boy loved to draw. He was good at it, too. The family once owned a hunting dog called “Spike”, with the cringe-worthy habit of eating sharp objects. It didn’t seem to bother him much, and the boy sent a drawing to Ripley’s Believe It or Not! who ran it, complete with a description of Spikes unusual predilections.

The drawing was signed, “Sparky”.  Even with Schulz later celebrity, you could always Charles_Schulz_HS_Yearbookweed out those who merely claimed to know him, if they called him “Charles”, or “Chuck”.  Schulz’ uncle called him “Sparky” as a boy, after the horse Spark Plug in Billy DeBeck’s comic strip, Barney Google.  He always signed the strip “Schulz”, but friends and family knew him as Sparky, until the day he died.

Schulz was drafted into the Army in 1943, a Staff Sergeant with the 20th Armored Division in Europe and squad leader on a .50-caliber machine gun team.

He never got a chance to fire his weapon, though he did come face-to-face with a Wehrmacht soldier, once.  His blood must’ve turned cold in his veins when he realized he’d forgotten to load, but the man he faced was no Nazi fanatic.  This was just a guy, who wanted to go home. The German surrendered, happily.  I hope he did get to go home.

Schulz returned to Minneapolis after the war where he did lettering for a Catholic comic magazine, Timeless Topix. He took a job in 1946 at Art Instruction, Inc., reviewing and grading lessons submitted by students, a job he held for several years while developing his talents as comic creator.

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Charlie Brown, that little boy who was always close but never quite succeeded, first appeared in a series of single-panel jokes called “Li’l Folks“, along with a dog who looked something like Snoopy. It was published in the local papers from June 1947 to January ’50, and later syndicated.  The first strip was published in seven newspapers on October 2, 1950, but United Features thought the name was too close to two strips already in syndication, Li’l Abner, and “Little Folks“.

They called it “Peanuts” after the peanut gallery of the old Vaudeville days, the cheapest and rowdiest seats in the theater. Schulz didn’t like the name, saying it “made it sound too insignificant,” but the name, stuck.

Peanuts

Schulz took pride in his service during the war, and his strip paid tribute to Rosie the Riveter and Ernie Pyle.  More than any other, he’d honor “Willy & Joe”, those two GIs from the imagination of war correspondent and cartoonist Bill Mauldin, a man to whom Schulz always referred as “My Hero”.  Over the years, Snoopy visited with Willie & Joe no fewer than 17 times. Always on Veterans Day.

A Charlie Brown Christmas has been a staple of the Christmas season since 1965, but Linus almost didn’t get to tell his famous story of the baby Jesus. ABC executives thought Linus’ recitation of the birth of Christ too overtly religious.  They wanted a laugh track too, but Schulz refused. “If we don’t do it, who will?” So it was that the scene remained, perhaps the most memorable moment in cartoon history. The laugh track version was produced, but never aired.

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Charlie Brown’s love interest in some of the TV specials, the “Little Red-Haired Girl”, was based on an accountant from that old job at Art Instruction, Donna Mae Johnson.  The two had an office romance, but she turned him down when he proposed they marry.

She wasn’t the only character based on a real person.  Linus and Shermy were patterned after Schulz’ close friends Linus Maurer and Sherman Plepler.  Peppermint Patty was inspired by a cousin on his mother’s side, Patricia Swanson.  Snoopy himself resembles that old family dog Spike, though he was a Pointer, not a Beagle.

American opinion polls showed a sharp drop in support for the war in Vietnam over 1967.  1968 was a wretched year in American politics, beginning with the Tet Offensive in January.   Media reporting turned the American military victory over the Vietnamese New Year, into a thing of despair.  President Johnson withdrew from the Presidential election, that March.  Martin Luther King, Jr. was assassinated in April and riots swept through cities across the country.  Robert F. Kennedy was assassinated that June, after winning the critical California primary.  The Democratic National Convention that August more closely resembled a riot, than a political convention.

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Franklin Armstrong

Race relations were particularly vile, when Los Angeles schoolteacher Harriet Glickman wrote to the cartoonist, asking if he could add a black character.  Glickman never expected a response from the now-famous Charles M. Schulz, but respond he did.  He said he liked the idea, but expressed a concern about seeming “condescending”, to black families.  With Schulz’ permission, Glickman asked friends of African ancestry, how to make such a character “more relatable”.

Franklin Armstrong made his first appearance on July 31, 1968.  What was remarkable for the time, was how unremarkable, he was.  Just another little boy, at first confused about the strange stuff in Charlie Brown’s neighborhood.  Particularly Linus’ obsession with the ‘Great Pumpkin’.  Franklin first met Charlie Brown on a beach.  He said his father was a soldier, off fighting in Vietnam.  “My dad’s a barber,” said Charlie Brown.  “He was in a war too, but I don’t know which one.”

One newspaper editor wrote saying he didn’t mind a “negro” character, but please don’t show them in school together.  Schulz didn’t bother to respond.

Universal Studios Japan

I wonder if Donna Mae Johnson ever regretted turning down that marriage proposal.  Peanuts went on to become a pop culture phenomenon, with countless animated specials combining with merchandise sales to produce revenues in the Billions.  At it’s peak, Peanuts ran in 2,600 papers in 75 countries and 21 languages.  Schulz himself is estimated to have earned $30 to $40 million, a year.

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The command module for the 1969 Apollo 11 mission to the moon was named Charlie Brown and the lunar module, Snoopy.  President Ronald Reagan was a fan, and once wrote to Schulz that he identified with Charlie Brown.

Imitation of Charles Schulz cartoon, mad

Over fifty years, Schulz drew nearly 18,000 strips, taking vacation only once in 1997, to celebrate his 75th birthday.  In all that time, that one five-week stretch was the only time the papers ever had Peanuts reruns.

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Stephen Shea, H/T Huffington Post

Fun fact: Former child actor Stephen Shea inherited the speaking role for Linus van Pelt when his older brother Chris’ voice changed, and went on to perform in eight animated specials. Chris went to summer camp with a boy who happened to be President of The Doors fan club. It turns out that Jim Morrison was a big Peanuts fan, and invited Chris and his father to be his special guests, at a concert.

Schulz’ health began to deteriorate in the late 1990s, his once-firm hand, now developing a tremor. He never really recovered from the stroke that hit him in November 1999 and announced his intention to retire, on December 14.  The last original Peanuts strip was published on January 3, 2000. This son of a barber and a housewife, just like Charlie Brown himself, passed away just over a month later, a victim of colon cancer.

There will never be another.

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November 17, 1968 The Heidi Bowl

“Short of pre-empting Heidi for a skin flick, NBC could not have managed to alienate more viewers that evening.”

For a football fan, November 17, 1968 was shaping up to be one hell of a game.  The second-best team in the world Oakland Raiders if the results of Super Bowl II were any indication, against the future American Football League champion and Super Bowl III winner, New York Jets.

raiders-jets-heidi-bowlNBC executives, were thrilled.  The AFL was only eight years old in 1968 and as yet unproven compared with the older league, the NFL/AFL merger still two years in the future. 

This game was expected to keep viewers in their seats, adding to the already large audience expected for the 7:00pm presentation of Heidi, a modern remake of the children’s classic story from 1880.

Most pro football games were played in 2½ hours in those days, and league executives scheduled this one, for three.  The contract with Heidi prime sponsor Timex specified a 7:00 start and so the order went down.  There would be no delays.

The game did not disappoint, voted among the ten most memorable games in professional football history in 1997, and the most memorable regular season contest, ever.  The rivalry between the two clubs was intense, a high-scoring game where the lead changed, no fewer than eight times.  

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Network brass began to worry as early as 6:20 E.T., that the game wouldn’t end on time.  7:00 arrived with a minute & five seconds left to play and the Jets ahead, 32-29. 

Network and affiliate switchboards began to light up, fans demanding the game be broadcast in its entirety, while others asked if Heidi would begin, on time.  

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NBC Sports executive producer Don “Scotty” Connal and network president Julian Goodman had by this time agreed to “slide the network”, to begin Heidi as soon as Curt Gowdy signed off from the game.

By this time phone switchboards were jammed, solid.  NBC’s CIrcle-7 phone exchange blew twenty-six fuses, in an hour.  Broadcast Operations Control (BOC) supervisor Dick Cline nervously watched the clock as Connal frantically tried to call, but couldn’t get through.

The television audience watched Oakland running back Charlie Smith return the kickoff from the end zone to the Oakland 22-yard line with 1:01 remaining on the clock, when the feed was broken.

Heads exploded across the nation as callers reached out to newspapers and television stations, even local police departments, to demand the score.  And to bitch.   Humorist Art Buchwald wrote “Men who wouldn’t get out of their chairs in an earthquake rushed to the phone to scream obscenities [at the network].”

Meanwhile, the Oakland Raiders staged the most amazing come-from-behind rally in the history of sport, scoring two touchdowns in nine seconds.  Gamblers were apoplectic on learning the news, that the Raiders had beat the 7½ point spread. 

The film was just reaching a most tear-jerking moment as Heidi’s paralyzed cousin Clara was taking her first halting steps, as NBC broke in: “SPORTS BULLETIN: RAIDERS DEFEAT JETS 43-32”.

If half the nation hated NBC at that moment, now the other half did, as well. Sportswriter Jack Clary quipped, “The football fans were indignant when they saw what they had missed. The Heidi audience was peeved at having an ambulatory football score intrude on one of the story’s more touching moments. Short of pre-empting Heidi for a skin flick, NBC could not have managed to alienate more viewers that evening.”

heidi-game-news-bulletin-4-e1348762143862The “Heidi Bowl” was prime time news the following night, on all three networks. NBC’s Huntley-Brinkley Report aired the last sixty seconds while ABC Evening News anchor Frank Reynolds read excerpts from the movie, with clips of the Raiders’ two touchdowns cut in. CBS Evening News’ Harry Reasoner announced the “result” of the game: “Heidi married the goat-herder“.

NBC had no option but self-mockery, to redeem itself from the fiasco. One testimonial read “I didn’t get a chance to see it, but I hear it was great”. It was signed by Joe Namath.

A special “Heidi phone” was installed in the BOC, to prevent future such disasters. In 2005, TV Guide listed the Heidi Bowl at #6 of the “100 Most Unexpected TV Moments” in television history.

Actress Jennifer Edwards in the title role of the film, may have had the final word: “My gravestone is gonna say, ‘She was a great moment in sports'”.

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November 5, 2004 I Did not Die

For nigh on seventy years, few knew from where this little known bit of verse, had come.

In the early 1930s, Mary Elizabeth Frye was a Baltimore housewife and amateur florist, the wife of clothing merchant, Claud Frye.

A young Jewish girl was living with the couple at this time, unable to visit her sick mother in Germany, due to the growing anti-Semitic violence of the period.  Her name was Margaret Schwarzkopf.

Margaret was bereft when her mother died, heartbroken that she could never “stand by my mother’s grave and shed a tear.” Mrs Frye took up a brown paper shopping bag, and wrote out this twelve line verse.

She didn’t title the poem, nor did she ever publish it, nor copyright the work.  People heard about it and liked it so Frye would make copies, but that’s about it.

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For nigh on seventy years, few knew from where this little known bit of verse, had come.

Over the years, there have been many claims to authorship, including attributions to traditional and Native American origins.

The unknown poem has been translated into Danish, Dutch, French, German, Hebrew, Ilocano, Japanese, Korean, Russian, Spanish, Tagalog and other languages, appearing on countless bereavement cards and read over untold funeral services.

The English translation of one Swedish version reads: “Do not weep at my grave – I am not there / I am in the sun’s reflection in the sea / I am in the wind’s play above the grain fields / I am in the autumn’s gentle rain / I am in the Milky Way’s string of stars / And when on an early morning you are awaked by bird’s song / It is my voice that you are hearing / So do not weep at my grave – we shall meet again.

Many in the United Kingdom heard the poem for the first time in 1995, when a grieving father read it over BBC radio in honor of his son, a soldier slain by a bomb in Northern Ireland. The son had left the poem with a few personal effects, and marked the envelope ‘To all my loved ones’.

For National Poetry Day that year, the British television program The Bookworm conducted a poll to learn the nation’s favorite poems, subsequently publishing the winners, in book form. The book’s preface describes “Do Not Stand at My Grave and Weep” as “the unexpected poetry success of the year from Bookworm’s point of view… the requests started coming in almost immediately and over the following weeks the demand rose to a total of some thirty thousand. In some respects it became the nation’s favourite poem by proxy… despite it being outside the competition.”

All this at a time when the name and even the nationality of the author, was unknown.

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Abigail Van Buren, better known as “Dear Abby”, researched the history of the poem in 1998, and determined that Mrs. Frye was, after all, the author.

Mary Elizabeth Frye passed away in Baltimore Maryland on September 4, 2004. She was ninety-eight.

The Times of Great Britain published her untitled work on November 5, as part of her obituary. ‘The verse demonstrated a remarkable power to soothe loss”, wrote the Times. “It became popular, crossing national boundaries for use on bereavement cards and at funerals regardless of race, religion or social status”.

I Did Not Die”
by Mary Elizabeth Frye

Do not stand at my grave and weep,
I am not there; I do not sleep.
I am a thousand winds that blow,
I am the diamond glints on snow,
I am the sun on ripened grain,
I am the gentle autumn rain.
When you awaken in the morning’s hush
I am the swift uplifting rush
Of quiet birds in circling flight.
I am the soft star-shine at night.
Do not stand at my grave and cry,
I am not there; I did not die.

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October 30, 1938 War of the Worlds 

Despite repeated notices that the broadcast was fictional, it’s been estimated that as many as 1.2 million thought the news, was real. According to Grover’s Mill folklore, a local named William Dock shot a water tower, mistaking it for a Martian in the moonlight. Traffic was jammed in both directions in the little town, as locals tried to get out, and curiosity seekers came to see what Martians looked like. 

34.6 million miles distant, the Red Planet is our nearest neighbor in the solar system.  To the Babylonians of 3000B.C. Mars was the God of Death, lending its name to the war gods of Greek and Roman antiquity, alike.

In the 19th century, amateur astronomer Percival Lowell was convinced that he saw canals on Mars, evidence of some great civilization. In 1898, H.G. Wells published a book about a Martian invasion of earth, beginning with a landing in England.  On this day in 1938, the Mercury Theater of the Air brought the story to life.

yphlejvzd8_w1024The radio drama began with a statement that, what followed, was fictional.  The warning was repeated at the 40 and 55-minute mark, and again at the end of the broadcast. It began with a weather report, and then went to a dance band remote, featuring “Ramon Raquello and his orchestra”. The music was periodically interrupted by live “news” flashes, beginning with strange explosions on Mars. Producer Orson Welles made his first radio appearance as the “famous” (but non-existent) Princeton Professor Dr. Richard Pierson, who dismissed speculation about life on Mars.

The-War-of-the-Worlds-Radio-BroadcastA short time later, another “news flash” reported a fiery crash in Grovers Mill, NJ. What was originally thought to be a meteorite was revealed to be a rocket machine as a tentacled, pulsating Martian unscrewed the hatch and incinerated the crowd with a death ray.

The dramatic technique was brilliant. Welles had his cast listen to the Hindenburg tape, explaining that was the “feel” that he wanted in his broadcast. Fictional on-the-spot reporter Carl Phillips describes the death ray in the same rising crescendo, only to be cut off in mid-sentence as it was turned on him.

The 60-minute play unfolds with Martians wiping out a militia unit sent against them, and finally attacking New York City with poison gas.

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Alien spacecraft, hovering over the trees

Despite repeated notices that the broadcast was fictional, it’s been estimated that as many as 1.2 million thought the news, was real. According to Grover’s Mill folklore, a local named William Dock shot a water tower, mistaking it for a Martian in the moonlight. Traffic was jammed in both directions in the little town, as locals tried to get out, and curiosity seekers came to see what Martians looked like.

The USA Today Newspaper reporting on the 75th anniversary of the broadcast, that “The broadcast … disrupted households, interrupted religious services, created traffic jams and clogged communications systems. “The New York Times reported on Oct. 31, 1938: “In Newark, in a single block at Heddon Terrace and Hawthorne Avenue, more than 20 families rushed out of their houses with wet handkerchiefs and towels over their faces to flee from what they believed was to be a gas raid. Some began moving household furniture”.

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Then as today, supposed “victims” of the broadcast and their lawyers lined up to get paid for “mental anguish” and “personal injury”. All suits were dismissed, except for a claim for a pair of black men’s shoes, size 9B, by a Massachusetts man who had spent his shoe money to escape the Martians. Welles thought the man should be paid.

In the end, the War of the Worlds was just what the broadcast described itself to be. A Halloween concoction. The equivalent of dressing up in a sheet, and jumping out of a bush, and saying, ‘Boo!’.

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October 5, 1968 Magic Carpet Ride

Steppenwolf gave us 22 albums, and we all know them in one way or another. Yet, the lead singer’s escape from the horrors of the Iron Curtain, is all but unknown.

Joachim Fritz Krauledat was born in Tilsit, East Prussia on April 12, 1944, a region later absorbed into the Soviet Union. The boy never met his father Fritz, a German soldier killed on the Eastern Front of WWII.

JohnKayYoungElsbeth had to flee with her infant son in the harsh winter of 1945, as the oncoming Soviet Red Army destroyed all in its path. The two would escape the Iron Curtain once again in 1948, this time in a dangerous nighttime dash which the then-four year old remembers, to this day.

They settled for a time in Hannover, West Germany, barely avoiding the communist noose as it closed around their former home in the east.

Krauledat was an indifferent student, due to poor eyesight. He’s legally blind and extremely light-sensitive, forced to wear dark glasses since the age of three.  An eye condition called achromatopsia left him entirely color blind, seeing the world in shades of black and white and gray.

The boy became interested in music, listening over the British Forces Broadcasting Service and the US Armed Forces Radio before his family moved to Canada, in 1958.

Joachim never became a Canadian citizen. He spent the next seven years practicing his music, performing as a folk and blues singer throughout North America. He joined a blues rock and folk group called “The Sparrow” in 1965, becoming part of the rock music scene in Yorkville, Toronto and later San Francisco’s Haight-Ashbury and the Sunset Strip in Los Angeles.

born-to-be-wild1By this time, Joachim Krauledat had taken to calling himself John Kay.  The band added a couple new members in 1967, changing their name to a character from a Herman Hesse novel.  “Steppenwolf”.

Steppenwolf became one of the world’s foremost rock bands, with standards like “The Pusher”, and “Monster”, releasing “Magic Carpet Ride” on this day in 1968. They gave us the term “Heavy Metal” with their rock anthem “Born to Be Wild”, but that didn’t refer to the music. “Heavy Metal Thunder” referred to large, loud, motorcycles.

Steppenwolf toured for over 40 years. There isn’t a Baby Boomer alive (or many of our kids), who wouldn’t read this and come away with one of their songs in his head. They’ve sold over 25 million records and licensed their songs in over 50 motion pictures. The music is iconic, from the sound track of the 1969 “Easy Rider” film to their last performance on July 24, 2010, at the three day HullabaLOU music festival in Louisville, Kentucky.

s1Steppenwolf gave us 22 albums, and we all know them in one way or another. Yet, the lead singer’s escape from the horrors of the Iron Curtain, is all but unknown. That, as Paul Harvey used to say, is the Rest of the Story.

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