March 10, 1748 A Story of Redemption

“I am not what I ought to be, I am not what I want to be, I am not what I hope to be in another world; but still I am not what I once used to be, and by the grace of God I am what I am” ― John Newton

It was the Golden Age of Greek history, a time when “[Men] lived like gods without sorrow of heart, remote and free from toil and grief…” according to the Greek poet, Hesiod. A time of Confucius and the Buddha in the east while the Olmec peoples ruled over much of South and Central America, a time when the Italian city-state of Rome overthrew a Monarch, to form a Republic.

Ancient Greece Costume - circa 500 BC2,500 years ago, Bantu farmers on the African continent fanned out across the land as the first Africans penetrated the dense rain forests of the equator, to take up a new life on the west African coast.

The Islamic crusades of the 7th and 8th centuries turned much of the Maghreb (northwest Africa) to Islam and displaced the Sahelian kingdoms of the sub-Saharan grasslands.   The hunters, farmers and traders of Coastal Africa remained free to make their own way, isolated by those same rain forests from the jihads and other violence of the interior.

Sahel_Map-Africa_rough
Sahelian Kingdoms of Sub-Saharan Africa

The first European contact came around 1462 when the Portuguese explorer Pedro de Sintra mapped the hills surrounding modern Freetown Harbour, naming an oddly shaped formation Serra Lyoa (Lioness Mountain).

ded91e87f93966f1ffcbc100d634a97d

Home to one of the few safe harbors on the surf-battered “windward coast”, Sierra Leone soon became a favorite of European mariners, some of whom remained for a time while others came to stay, intermarrying with local women.

From the 6th century to a peak of around 1350, Arab slave traders conducted a rich trans-Saharan trade in human beings.

According to the Guyanese historian Walter Rodney, slavery among and between the African peoples of Sierra Leone appears to be rare at this time. Portuguese mariners kept detailed records and would have described such a thing though there was a particular kind of “slavery” in the region: “A person in trouble in one kingdom could go to another and place himself under the protection of its king, whereupon he became a “slave” of that king, obliged to provide free labour and liable for sale“.Arabslavers (1)While this type of “slave” retained rudimentary rights at this time, those unfortunate enough to be captured by Dutch, English and French slavers, did not.

It wasn’t long before coastal kidnapping raids gave way to more lucrative opportunities.  Some chieftains were more than happy to “sell” the less desirable members of their own tribes while others made a business out of war, taking prisoners to be traded for a fortune in European goods, including muskets.

While slave “owners” were near-exclusively white and foreign at this time, the late 18th century was a time of rich and powerful African chieftains, many of whom owned large numbers of slaves, of their own.1_bUM2OMXstOAZukyNAc8oFgThis was the world of John Newton, born July 24 (old style) 1725 and destined for a life, in the slave trade.

The son of a London shipmaster in the Mediterranean service, Newton first went to sea with his father at age 11 and logged six such voyages before the elder Newton retired, in 1742.

His was a wild youth, the life of a sailor bent on drinking and raising hell. That was all brought up short in 1743, when Newton was captured and “pressed” into service with the 50-gun HMS Harwich and given the rank, of midshipman.

The teenager hated everything about the naval service and tried to desert, earning himself a flogging for his trouble.

Eight. Dozen. Lashes. Imagine for a moment, enduring something like that.

Reduced to the rank of common seaman Newton was disgraced, wounded and humiliated. He vowed to murder the captain and hurl himself overboard but it wasn’t meant to be. The wounds healed over in time and, with the Harwich enroute to India, Newton transferred to the slave ship Pegasus, bound for West Africa.

Pegasus would trade goods for slaves in Sierra Leone to be shipped to colonies in the Caribbean and North America.maxresdefault (28)Newton hated life on the Pegasus as much as his shipmates, hated him. In 1745 he was abandoned in West Africa with a slave trader, named Amos Clowe. Newton was now himself a slave, given by Clowe to his wife Princess Peye of the Sherbro tribe, of Sierra Leone.  Peye treated Newton as badly as she treated any of her other slaves, treatment as wretched as that meted out to the human beings who had fallen into his own hands, as a slave trader. Newton himself later described these three years as “once an infidel and a libertine, [now] a servant of slaves in West Africa”.

Rescued in 1748 by his father’s request, Newton was returning to England aboard the merchant ship Greyhound when he experienced a spiritual awakening. Caught in a dreadful storm off Donegal, Greyhound seemed doomed when a great hole opened in her hull. Newton prayed for the mercy of God when a load somehow shifted, party blocking the hole. With pumps operating around the clock, the storm died down. Greyhound made port in Lough Swilly, Ireland, four weeks later.

With this conversion, John Newton had come to accept the doctrines of Evangelical Christianity.  On March 10, 1748 he swore off liquor, gambling and profanity.  For the rest of this life he would regard this day, as a turning point.

March 10, 1748 Amazing Grace

There’s a popular story that Newton’s life was changed then and there but it didn’t work out that way. Those hours of despair on board the Greyhound were an awakening, yes, but Newton would return to the slave trade. Even after the 1754 stroke which ended his seafaring career, he still invested in slaving operations.

His was a gradual conversion.  “I cannot consider myself to have been a believer in the full sense of the word” he later said, “until a considerable time afterwards.”

While working as tax collector in the Port of Liverpool, Newton studied Greek, Hebrew and Syriac, preparing himself for serious religious studies. In 1757 he applied to become an ordained minister, of the Anglican Church. Seven years would come and go when the lay minister applied with Methodists, Independents and Presbyterians.  He was ordained a priest of the Anglican church on April 29, 1764.

Screen shot 2013-11-21 at 11.02.31 PM

Moving to London in 1780 as the Rector of St. Mary Woolnoth church, Newton became involved with the Committee for the Abolition of the Slave Trade.

In 1788 he broke a long silence on the subject to take a forceful stand, against the “peculiar institution“. 

In his Thoughts Upon the African Slave Trade, Newton writes: “So much light has been thrown upon the subject…for the suppression of a traffic, which contradicts the feelings of humanity; that it is hoped, this stain of our National character will soon be wiped out.”

Newton apologized for his past in “a confession, which … comes too late … It will always be a subject of humiliating reflection to me, that I was once an active instrument in a business at which my heart now shudders.

The tract went on to two printings, describing the hideous conditions on board the slave ships and leading to an act of Parliament abolishing the slave trade, in 1807.67452William Cowper was an English poet and hymnist who came to worship in Newton’s church, in 1767.  The pair collaborated on a book of Newton’s hymns including “Glorious Things of Thee Are Spoken,” “How Sweet the Name of Jesus Sounds!,” “Come, My Soul, Thy Suit Prepare” and others.

“I am still in the land of the dying; I shall be in the land of the living soon”.  His last words

John Newton was a drunk, a carousing sailor and a slave trader who saw the light and left us one of the great hymns, of the last quarter-millennium.

Amazing grace, how sweet the sound,
that saved a wretch like me.
I once was lost, but now am found,
Was blind but now I see.

December 25, 1942 Dreaming of a White Christmas

White Christmas hit Number 1 on the Hit Parade that November, and never looked back. By Christmas day 1942 the song had barely made it halfway through a ten-week run, at the top spot.

Israel was the youngest of eight children borne of the Baline Family in western Siberia and emigrated to the United States, in 1893. In grammar school “Izzy” delivered telegrams and sold newspapers, to help with family finances. Israel’s father Moses died when the boy was only 13 and he took work as a “ Busker”, to support himself.

Everyone who will read this has bought a record I suspect, but the sale of music came long before the age of the phonograph. Buskers or “song pluggers” would perform songs in vaudeville theaters, railroad stations and even street corners in hopes of selling sheet music, of the latest songs.

Even at a young age Israel Baline had a pleasing voice and a natural ear, for music. By 16 he was a singing waiter at the Pelham Cafe in New York’s Chinatown. It was there he taught himself to play the piano and to compose music, with the help of a friend. The boy’s first published work led to a name change when Marie from Sunny Italy came back from the publisher, with a typo. I. Baline was now I. Berlin.

At least that’s the story. Others will tell you Irving Berlin changed his name to sound less ethnic. Be that as it may, the author of American standards like “Puttin’ on the Ritz” and “There’s No Business Like Show Business”, had come of age.

In 1911, Berlin’s “Alexander’s Ragtime Band” sold a million copies and inspired a dance craze still remembered, to this day.

Irving Berlin wrote “God Bless America” during World War 1 but only used it, in 1938. A love song to an adopted country from a kid escaped from the anti-Jewish Russian pogroms of the age the song went on to earn $9.6 million. Every dime of it was donated to the Boy Scouts of America, and Campfire Girls.

Christmas was an unhappy time for Irving Berlin. A devoted husband of 62 years Irving and Ellin (Mackay) lost their only son (also Irving) on Christmas day in 1928, to Sudden Infant death Syndrome. Every year at Christmas was an occasion to visit their baby’s grave.

Berlin wrote the best selling record of all time in 1941 but it didn’t start out, the way you might think. In 1940, the composer signed to score a musical for paramount Pictures, about a retired vaudeville performer who opened an inn. The hook was that this particular inn was only open, on holidays. “Holiday Inn” would guide the viewer through a years’ worth of holidays, in music.

As for White Christmas that started out, as a spoof. A satire sung under a palm tree by music industry sophisticates enjoying drinks, around a Beverly hills swimming pool:

The sun is shining, the grass is green
The orange and palm trees sway
There’s never been such a day
In Beverly Hills, L. A.
But it’s December the 24th
And I am longing to be up north….
I’m dreaming of a white Christmas…
(Chorus continues)

Bing Crosby was already famous in 1941. Berlin agreed to include White Christmas in the film, provided that Crosby perform the tune. Crosby himself was on board, from day 1. On hearing the song he told Berlin “You don’t have to worry about this one, Irving.”

And then the world changed. A mighty sucker punch came out of the east on December 7, 1941, a sneak attack by the air and naval forces of imperial Japan on the American Pacific naval anchorage, at Pearl Harbor.

President Franklin Roosevelt asked for and received a congressional declaration of war on Japan, on December 8. Nazi Germany piled on and declared war on the United States, three days later. The US had entered World War 2.

A generation of men signed up for the draft including Bing Crosby. He would prove too old but this was a loyal American. Crosby would use his gifts at every opportunity and perform for the troops.

Seventeen days after the attack on Pearl Harbor was Christmas eve, 1941. Bulkhead markings would later reveal that even then, the last survivors on board the USS Oklahoma down there at the bottom of Pearl Harbor were making their last marks on the wall of that black, upside down place in the vain hope of a rescue, that would never come.

Bing Crosby performed the track live that Christmas eve and over the following January, the shortwave broadcast of the Kraft Music Hall reaching troops then fighting for their lives on Corregidor and the Philippines. The set list always started out with a tune, destined to become the official anthem of the US Army: “AS The Caissons Go Rolling Along.”.

President Roosevelt asked Hollywood to step up, and do its part. Crosby and others formed the Hollywood Victory Caravan in support of the war effort, Carey Grant, Desi Arnaz, Olivia de Havilland and others raising over $700,000 in support of the Army and Navy Relief Society.

When Holiday Inn was released in 1942 Berlin expected Be Careful It’s My Heart to be a hit, a song tied in the film, to Valentine’s day. But a funny thing happened. White Christmas was received by the people who heard it not as satire but a heartfelt reminder of Christmases past and a promise, of Christmas yet to come. Soldiers abroad and their families dreamed alike of a white Christmas, “just like the ones I used to know“.

That first verse quietly went away, never to return.

Fun Fact: Despite Berlin’s songwriting success he didn’t write music and only played the piano in F Sharp. He bought special transposing keyboards so his songs didn’t all sound the same and paid music secretaries to notate and transcribe, his music.

Crosby himself had mixed feelings about performing White Christmas. “I hesitated about doing it” he once told an interviewer, ” because invariably it caused such a nostalgic yearning among the men, that it made them sad. Heaven knows, I didn’t come that far to make them sad. For this reason, several times I tried to cut it out of the show, but these guys just hollered for it.”

White Christmas hit Number 1 on the Hit Parade that November, and never looked back. By Christmas day 1942 the song had barely made it halfway through a ten-week run, at the top spot.

Bing Crosby appeared in over 70 radio shows over the course of the war including 30 Command Performance spots, 13 on Mail Call, 5 appearances on Song Sheet, 19 on GI Journal and at least twice on Jubilee, all in addition to his regular Kraft Music Hall show transcribed on discs and personal appearances before troops on the front lines. A survey among soldiers after the war revealed that Bing Crosby had accomplished more in support of troop morale than Franklin Roosevelt, Dwight Eisenhower or even, Bob Hope.

Bing Crosby signing autographs in France, in 1944

It’s a new perspective to look at one of the seminal events of the 20th century, through the eyes of the artist. Imagine for a moment you are Bing Crosby himself, performing for the troops in Belgium and France and Luxembourg in December, 1944. What must it have been like a month later to realize that 75,000 of those men were now casualties in the last great feat of German arms of World War 2, the Battle of the Bulge.

Bing Crosby performing for the troops in 1944

Today, the Guinness Book of World Records names Bing Crosby’s “White Christmas” not only the best-selling Christmas single in the United States, but also the best-selling single of all time with estimated sales of over 50 million copies, worldwide.

I hope you enjoyed this story and wish a you Merry Christmas and a safe, healthy and prosperous new year.. May this be the first of many more.

Rick Long, the “Cape Cod Curmudgeon”.

June 16, 1980 The Blues Brothers

Dan Ackroyd tells a story about long days of rehearsals on the SNL set. An exhausted John Belushi would wander off and let himself into the house of a friend or a stranger, scrounging around for food before falling asleep in the house, unable to be found for the next day’s work. These outings were the inspiration for the SNL horror-spoof sketch “The Thing That Wouldn’t Leave”.

Dan Aykroyd developed his musical talents during the late fifties and early sixties at an Ottowa club called Le Hibou, (French for ‘the owl’).  “I actually jammed behind Muddy Waters”, he once said.  “S. P. Leary left the drum kit one night, and Muddy said ‘anybody out there play drums?  I don’t have a drummer.’ And I walked on stage and we started, I don’t know, Little Red Rooster, something. He said ‘keep that beat going, you make Muddy feel good.’

Eric Idle of Monty Python once guest hosted, for Saturday Night Live.  Idle paid the greatest tribute to Aykroyd’s comedic talent, saying he was “the only member of the SNL cast capable of being a Python”.

John Belushi joined The Second City comedy troupe in 1971, playing off-Broadway in “National Lampoon’s Lemmings”. He played The National Lampoon Radio Hour from 1973 to 1975, a half-hour comedy program syndicated on over 600 stations.

Belushi appeared from 1973 to 1975 on The National Lampoon Radio Hour, along with future SNL regulars Gilda Radner, Chevy Chase and Bill Murray. A number of their radio segments went on to become SNL sketches in the show’s first couple seasons.SNL-original-castDan Ackroyd tells a story about long days of rehearsals on the SNL set. An exhausted John Belushi would wander off and let himself into the house of a friend or a stranger, scrounging around for food before falling asleep in the house, unable to be found for the next day’s work. These outings were the inspiration for the SNL horror-spoof sketch “The Thing That Wouldn’t Leave”.

Lead vocalist “Joliet Jake” Blues (John Belushi) and harmonica player/backing vocalist Elwood Blues (Dan Aykroyd) had their musical debut on January 17, 1976 in a comedy sketch on Saturday Night Live. “The Blues Brothers” appeared twice more on SNL sketches, both in 1978, before releasing their first album that same year: Briefcase Full of Blues.the-blues-brothers-57e6837c76b1dThe Blues Brothers film premiered in Chicago on this day in 1980, four days before general release. Set in the windy city and sprawling across the Midwest, the musical/comedy film tells the story of a paroled convict and his brother, and their mission to save the Catholic orphanage in which they were raised from foreclosure. The Blues Brothers’ “Mission from God” needs to raise $5,000 to pay the orphanage’s property tax bill. To do so, the pair sets out to reignite their old R&B band, pursued by the police and wrecking 103 cars along the way, a world record for that time.

While filming one of the night scenes, Belushi disappeared and couldn’t be found. Looking around, Dan Ackroyd found a single house with the lights on and knocked on the door. Before he could ask, the homeowner smiled and said “You’re here for John Belushi, aren’t you?” The man told his visitor that Belushi had entered the house, asked if he could have a glass of milk and a sandwich, and crashed on their couch.

To some, John Belushi may have been a real-life Thing that Wouldn’t Leave. To Dan Ackroyd, the man would always be “America’s Guest”.

John Belushi died in his hotel room on March 5, 1982 of a “Speedball”, a combined injection of heroin and cocaine. The cause of death was originally ruled accidental overdose, but Catherine Evelyn Smith was extradited and tried on first degree murder charges after her National Enquirer interview, in which she admitted giving Belushi the shot. A plea bargain reduced the charge to involuntary manslaughter.  She served fifteen months in prison.

Belushi’s wife Judith arranged for a traditional Orthodox Christian funeral in which he was interred, twice. The first was in Abel’s Hill Cemetery in the Chilmark section of Martha’s Vineyard.  A classic New England slate tombstone complete with skull and crossbones, marks the location. The inscription reads, “I may be gone but Rock and Roll lives on.”belushi-funeral-service“Fans” repeatedly felt the need to desecrate the grave.  The body was removed at Mrs. Belushi’s request and reburied in an undisclosed location.  An unmarked tombstone in an undisclosed location marks the final burial location, where the man can at last rest in peace.

John Belushi is remembered on the family marker at his mother’s grave at Elmwood Cemetery in River Grove, Illinois. The stone reads, “HE GAVE US LAUGHTER”.

November 15, 1963 Louie Louie

For two years, FBI investigators interviewed witnesses. They listened to the song at varying speeds, backward and forward, but the relentless search for bawdy material came up empty. In the end, the song was ruled “unintelligible at any speed”.

In 1955, Richard Berry wrote a song about a Jamaican sailor returning to his island to see his lady love. It’s a ballad, a conversation in the first person singular, with a bartender. The bartender’s name is Louie.

The song was covered in Latin and R&B styles in the fifties, but was never more than a regional hit on the west coast.

Louie3“Mainstream” white artists of the fifties and sixties often covered songs written by black artists. On April 6, 1963, an obscure rock & roll group out of Portland, Oregon covered the song, renting a recording studio for $50. They were The Kingsmen.

Lead singer Jack Ely showed the band how he wanted it played. Berry’s easy 1-2-3-4, 1-2, 1-2-3-4 ballad would be changed to a raucous 1-2-3, 1-2, 1-2-3 beat.

The guitar work could only be described as anarchic, the lyrics unintelligible.  The Kingsmen recorded the song in a single take. It was released by a small label in May and re-released by Wand Records in October, 1963. Sales of the single increased through the 15th of November, the song entering the Billboard Top 100 chart on December 7.

Rock & Roll music is so mainstream now, that it’s hard to remember how subversive and decadent it was considered to be.

Louie Louie’s impenetrable lyrics led to all kinds of speculation about what was being said.  More than a few imaginations ran wild. Fabricated lyrics ranging from mildly raunchy to pornographic were written out on slips of paper and exchanged between teenagers, spurring interest in the song and driving record sales through the roof.

Concerned parents contacted government authorities to see what could be done. One parent, a Sarasota, Florida junior high school teacher, wrote to Attorney General Bobby Kennedy. “Who do you turn to when your teen age daughter buys and brings home pornographic or obscene materials being sold along with objects directed and aimed at the teenage market in every City, Village and Record shop in this Nation?” The letter ends with a plea, complete with four punctuation marks: “How can we stamp out this menace????
louierfk1

The FBI took up the investigation in 1964 under the ITOM statute, a federal law regulating the Interstate Transportation of Obscene Material. There are 119 pages in the FBI’s archival website, covering the case.

For two years, FBI investigators interviewed witnesses. They listened to the song at varying speeds, backward and forward, but the relentless search for bawdy material came up empty.  In the end, the song was ruled “unintelligible at any speed”.

Louie4Strangely, the feds never interviewed Kingsmen lead singer Jack Ely, who probably could have saved them a lot of time.

The song has been covered by numerous artists over the years, including Paul Revere & the Raiders, Otis Redding, Motorhead, Black Flag and Young MC.  The best version ever, has got to be the Delta Tau Chi fraternity version from John Landis’ 1978 movie, Animal House.

“OK, let’s give it to ’em.  Right now”.

October 5, 1968 Magic Carpet Ride

Joachim‘s mother Elsabeth had to flee with the baby in the harsh winter of 1945, as the oncoming Soviet Red Army destroyed all in its path. The two would escape the Iron Curtain one more time in 1948, this time in a dangerous nighttime dash which the then-four year old remembers to this day.

Joachim Fritz Krauledat was born in Tilsit, East Prussia on April 12, 1944, a region later absorbed into Soviet Russia. The boy never met his father.  A German soldier on the Eastern Front of WWII, Fritz Krauledat would be killed months before the birth of his son.

Joachim‘s mother Elsabeth had to flee with the baby in the harsh winter of 1945, as the oncoming Soviet Red Army destroyed all in its path. The two would escape the Iron Curtain one more time in 1948, this time in a dangerous nighttime dash which the then-four year old remembers to this day.

“Pack your rucksack Joachim. We’re going on a trip.’ That was all my mother told me the night we escaped from East Germany” ….. We crossed near the Hartz Mountains south of Brunswick and Hannover. I remember seeing search lights moving, ……… As the women passed under the wire, one of our guides took me by the hand and led me through, As I crouched I could hear a commotion, then gunfire, maybe a machine gun burst. Hurry, hurry, hurry just keep running implored our guide.” *

JohnKayYoungThe family settled for a time in Hannover, West Germany, barely avoiding the communist noose as it closed around their former home in the East.

Krauledat was an indifferent student, possibly due to poor eyesight. He’s legally blind, afflicted since birth with achromatopsia, a condition which left him totally colorblind and severely averse to light.  Even as a child, he was rarely seen without the dark glasses which would later become his trademark.

The boy became interested in music, listening over the British Forces Broadcasting Service and US Armed Forces Radio.  Listening to his transistor radio, Little Richard singing in a language he didn’t understand, Joachim Krauledat knew.  He was going to become a rock ‘n roll singer.

The family moved to Canada in 1958, where the Canadian National Institute for the Blind offered him a Wollensach reel-to-reel tape recorder.   The “Talking Book Program” was intended to bring the spoken word to visually impaired students.  This 14-year old was more interested in the “record” button.

The gym teacher called him “John”, while his mother became “Mrs. K,” to the other kids.  The name stuck.  Years later, Joachim Krauledat legally changed his name to John Kay.

“ From as far back as I remember, I always liked music.”

– John Kay

The family moved to Buffalo in 1963, where the young musician found his possibilities limited.  At age 20 he and his buddy Klaus packed up the ’62 Chevy, and headed west.  The “Mother Road”.  Route 66.

The next several years were spent honing and developing his music, a folk and blues singer performing throughout North America. Kay joined a blues rock and folk group called “The Sparrow” in 1965, becoming part of the rock music scene in San Francisco’s Haight-Ashbury district, and the Sunset Strip in Los Angeles.

johnkay66
Heading West, Route 66

The band added a couple new members in 1967, changing their name to a character from a Herman Hesse novel. They called themselves Steppenwolf.

Steppenwolf became one of the world’s foremost rock bands, with standards like “The Pusher”, and “Monster”, releasing “Magic Carpet Ride” on this day in 1968. They gave us the term “Heavy Metal” with the rock anthem “Born to Be Wild”, but that didn’t refer to the music. “Heavy Metal Thunder” referred to large, loud, motorcycles.

Steppenwolf toured for over 40 years. There isn’t a Baby Boomer alive who wouldn’t read this and come away with one of their songs in his head. They’ve sold over 25 million records and licensed their songs in over 50 motion pictures. The music is iconic, from the sound track of the 1969 “Easy Rider” film to their last performance on July 24, 2010, at the three day HullabaLOU music festival in Louisville, Kentucky.

John KaySteppenwolf gave us 22 albums.  We all know them in one way or another. Yet, the lead singer’s escape from the horrors of the Iron Curtain, not once but twice, is all but unknown. That, as Paul Harvey used to say, is the Rest, of the Story.

 

  •  John Kay from his autobiography, Magic Carpet Ride

April 24, 1959 The Day the Music Died

A boy named Don McLean heard about the plane crash while doing his morning paper route. One day, the future singer/songwriter would pen the words “February made me shiver, with every paper I’d deliver”.

Jiles Richardson was a Texas DJ in 1958, the year he found recording success of his own with a song called “Chantilly Lace”.

Richie Valenzuela was only 16 when Del-Fi Records producer Bob Keane discovered the singer in California. “Donna”, a song he had written for his high school sweetheart Donna Ludwig, was on the way to #2 on the Billboard Hot 100, right alongside the 45’s “B” side, an old Mexican standard turned Rock & Roll tune called “La Bamba”. By 1958 he was one of the hottest young recording artists of his time.All three

Charles Hardin Holley, “Buddy” to his friends and family, learned guitar, four-string banjo and lap steel guitar from his older brothers, Travis and Larry. The boy took to music at an early age, winning his first talent contest at the age of five. A music critic would one day describe the Lubbock Texas native as “the single most influential creative force in early rock and roll.” Contemporary and later musicians claiming inspiration from his work include the Beatles, the Rolling Stones, Bob Dylan, and Elvis Costello.

58 years ago, his name changed as the result of a misspelling in a recording contract, Holly was headliner of the “The Winter Dance Party Tour”. Richardson, performing as the “Big Bopper” and Valenzuela, professionally known as Ritchie Valens, were on the tour, along with Dion and the Belmonts, Holly’s friend from Lubbock and fellow musician Waylon Jennings, and a young Owasso, Oklahoma Rockabilly musician and former “Crickets” band member, an enrolled member of the Cherokee Nation named Tommy Allsup.WinterDanceParty

The musical tour included 24 cities in 3 weeks, a grueling schedule under the best of circumstances, but theirs were anything but the best. The tour bus had no heat, and a three-week winter bus tour of the upper Midwest is no place to be without heat. It was so cold that Holly’s drummer, Carl Bunch, suffered frostbite in his feet and left the tour in Clear Lake, Iowa.

Holly was sick of it, and decided to charter a plane for himself and some of his guys. At least that would give him time to do laundry before the next performance.

Dwyer Flying Service got the charter with a 1947 Beechcraft Bonanza, at $36 per person. There’s a popular story that the four-seater aircraft was called “American Pie”, but the story is a myth. The single engine airplane bore only the tail number: N3794N.

Richardson was running a fever at the time, so Waylon Jennings gave up his seat so the Big Bopper could ride in comfort. Allsup and Valens flipped a coin for the last seat, the coin landing heads up. Ritchie Valens had won the coin toss.

dancepartymapOn learning that Jennings wasn’t going to fly, Holly said “Well, I hope your old bus freezes up.” Jennings replied “Well, I hope your plane crashes.” It was just a good ribbing between friends, but the comment would haunt Jennings for the rest of his life.

 

N3794N left the ground in a snowstorm, shortly after 1:00am on February 3. The pilot, Roger Peterson, may have been inexperienced with the instrumentation, or he may have become disoriented in near whiteout conditions. One wing hit the ground in a cornfield outside of Clear Lake, and the aircraft corkscrewed into the ground, throwing the three musicians clear of the plane. There was no fire, just a small aircraft being swallowed up in a snow covered cornfield.  The bodies would lie in the field until late that afternoon.American Pie Plane crash

The show would go on. Needing to fill in at the next stop in Moorhead, Minnesota, they found a 15 year old talent across the state line in Fargo, and so began the musical career of Bobby Vee.

A boy named Don McLean heard about the plane crash while doing his morning paper route. One day, the future singer/songwriter would pen the words “February made me shiver, with every paper I’d deliver”.tommys-heads-saloon

Allsup returned to Odessa, resuming his musical career and opening a club in Dallas. in 1979. He called it “Tommy’s Heads Up Saloon”, after the coin toss that saved his life.

Distraught, Buddy Holly’s widow miscarried their only child shortly after the wreck.  His last song, “It Doesn’t Matter Anymore”, reached #1 on the UK charts on April 24, 1959, the first posthumous release ever to do so.  In the US the song charted at 13 on the Billboard Hot 100, it would be his last top 20 hit in the country. Inscribed on Ritchie Valens’ gravestone are the words, “Come On, Let’s Go.”  The last surviving member of Buddy Holly’s 1959 touring band “The Crickets” passed away earlier this year, on January 11.  Tommy Allsup was 85.