James and Kate Kaminski’s little bundle of joy came into the world on June 26th 1926, in Brooklyn.
The Kaminskis named this, their fourth son, Melvin James. The elder James died of tuberculosis at 34, when the boy was only two. A small Jewish kid growing up in a tough Brooklyn neighborhood, Kaminsky learned the value of being able to crack a joke. “Growing up in Williamsburg”, he said, “I learned to clothe it in comedy to spare myself problems—like a punch in the face”.
The boy had a talent for music. He was taught by another kid from Williamsburg, named Buddy Rich. By 14 he was good enough to be playing drums for money.
Melvin attended a year at Brooklyn College before being drafted into the Army, in WWII. After attending Army Specialized Training at VMI, Corporal Kaminsky joined the 1104th Combat Engineers Battalion of the 78th Infantry Division, in the European theater. There, he served through the end of the war.
He and his unit worked to find and defuse explosives, though on several occasions, the 1104th had to drop its tools and fight as Infantry.
At one point, Kaminsky’s unit gathered along a River. The Americans were so close they could hear German soldiers singing a beer hall song, from the other side. Kaminsky grabbed a bullhorn and serenaded the Germans back, crooning out an old tune that Al Jolson used to perform, in black face: “Toot Toot Tootsie, Goodbye”. After he was done, polite applause could be heard, drifting across the river. I can’t imagine many Allied soldiers ever tried singing to their Nazi adversaries, during World War II. The ones who actually pulled it off, must number precisely, one.
Kaminski went into show business after the war, playing drums and piano in the Borscht Belt resorts and nightclubs of the Catskills. It was around this time that he took his professional name, adopting his mother’s maiden name of Brookman and calling himself “Mel Brooks”.
Brooks started doing stand-up, when the regular comedian at one of the clubs was too sick to perform. By ’49 he was “Tummler”, the master entertainer at Grossinger’s, one of the most famous resorts in the Borscht Belt.
Soon he was making $50 a week writing for his buddy Sid Caesar and his NBC program “The Admiral Broadway Review”.
In 1968, Mel Brooks wrote and produced the satirical comedy film “The Producers”, about a theatrical producer and an accountant who set out to fleece their investors. The scheme was to create a play so awful that it was sure to flop on Broadway, then to abscond to Brazil with investors’ money. The problems started, when the show turned out to be a hit. The fictional play is a musical, called “Springtime for Hitler”. Even before the time when taking offense became an industry, I don’t know many guys beside Mel Brooks who could have gotten away with that one.
There isn’t one of us who doesn’t know his work. Three of his movies made the American Film Institute’s top 100 list of comedy films. From the 2,000 year old man with “over forty-two thousand children, and not one comes to visit me” to Blazing Saddles’ “Candygram for Mongo” (“Mongo likes candy”).

“As long as the world is turning and spinning”, Brooks says, “we’re gonna be dizzy and we’re gonna make mistakes”.

Brooks has risen to the top of his chosen profession, winning the coveted “EGOT”, an acronym for the entertainment industry’s four major awards, the Emmy, Grammy, Oscar and Tony. Only eleven others have ever risen to this level: Richard Rodgers, Helen Hayes, Rita Moreno, John Gielgud, Audrey Hepburn, Marvin Hamlisch, Jonathan Tunick, Mike Nichols, Whoopi Goldberg, Scott Rudin, and Robert Lopez. As of this date, Brooks only needs another Oscar to be the first “Double EGOT”, in history.
Two years ago, March 31, 2016, the Averhill Park K-12 School District in upstate New York kicked off a three-day production of “Young Frankenstein”. Let me know if you can think of another 90-year-old guy, who remains that current. I can’t think of one.
“Well, just being stupid and politically incorrect doesn’t work. You can be politically incorrect if you’re smart”.





Seaman George Samson received a white feather on the same day he was awarded the British Commonwealth’s highest military award for gallantry in combat, equivalent to the American Medal of Honor: the Victoria Cross.
James Lovegrove was sixteen when he received his first white feather: “On my way to work one morning a group of women surrounded me. They started shouting and yelling at me, calling me all sorts of names for not being a soldier! Do you know what they did? They struck a white feather in my coat, meaning I was a coward. Oh, I did feel dreadful, so ashamed.” Lovegrove went straight to the recruiting office, who tried to send him home for being too young and too small: “You see, I was five foot six inches and only about eight and a half stone. This time he made me out to be about six feet tall and twelve stone, at least, that is what he wrote down. All lies of course – but I was in!”.
Some of these people were not to be put off. One man was confronted by an angry woman in a London park, who demanded to know why he wasn’t in uniform. “Because I’m German“, he said. She gave him a feather anyway.
Private Norman Demuth was discharged from the British Army, after being wounded in 1916. A woman on a bus handed Demuth a feather, saying “Here’s a gift for a brave soldier.” Demuth was cooler than I might have been, under the circumstances: “Thank you very much – I wanted one of those.” He used the feather to clean his pipe, handing it back to her with the comment, “You know we didn’t get these in the trenches.”

Years later, the Japanese Consul in New York learned of the First Lady’s interest in the Sakura, and suggested the city of Tokyo make a gift of Cherry trees, to the government of the United States.
It was the second such effort. 2,000 trees had arrived from Japan two years earlier, in January 1910, but they had fallen prey to disease along their journey. A private Japanese citizen donated the funds to transport a new batch of trees. The 3,020 were taken from the bank of the Arakawa River in the Adachi Ward suburb of Tokyo, to be planted along the Potomac River Basin, East Potomac Park, and the White House grounds.
The strip was around for ten years or so, when Olive & co. decided to recruit a sailor to get them to the casino on Dice Island. Approaching a rough looking character on the docks, “Popeye’s” first line was “Ja think I was a cowboy? He was supposed to be an extra, but he became so popular he soon developed into the center of the strip.
Before spinach, Popeye gained his superhuman strength patting the head of a magical “whiffle hen” named “Bernice”.
Popeye’s pet “Eugene the Jeep” first appeared in a 1936 strip called “Wha’s a Jeep?”. Eugene was sort of magical dog who could go anywhere. Five years later, military contractors worked to develop the iconic off-road vehicle of WWII. Like Popeye’s pet Eugene, the General Purpose GP (“Jeep”) could go anywhere. Eventually, the name stuck.

Riverside’s official slogan was changed from “Where the best begins” to “Where the Trek begins,” the annual “River Fest” summer festival, became “Trek Fest”.
In case you ever wondered what the “T” stands for – its “Tiberius”.


The signs of the time frequently included horses, indicating that lodgings and stables were available. Many such establishments came to be called after such signs, and names such as “Chestnut Mare” and “White Stallion” were common.



January 2, the following year. The last cigarette ad in the history of American television was a Virginia Slims ad, broadcast at 11:59p.m., January 1, 1971, on the Tonight Show, Starring Johnny Carson. Smoking on-air became a thing of the past sometime in the mid-80s, but that cigarette box remained on Carson’s desk until his final episode, in 1992. You’ve come a long way, baby.
Carson began taking Mondays off in 1972, when the show moved from New York to California. There followed a period of rotating guest hosts, including George Carlin and Joan Rivers, who became permanent guest host between 1983 and 1986.
Jay Leno appeared on the Tonight Show with Johnny Carson for the first time on March 2, 1977. He would frequently guest, and served as permanent host from May 1992 to May 2009.
Far-left anarchists mailed no fewer than 36 dynamite bombs to prominent political and business leaders in April 1919, alone. In June, another nine far more powerful bombs destroyed churches, police stations and businesses.
To this day there are those who describe the period as the “First Red Scare”, as a way to ridicule the concerns of the era. The criticism seems unfair. The thing about history, is that we know how their story ends. The participants don’t, any more than we know what the future holds for ourselves.

Before defecting from the Left, Chambers had secreted documents and microfilms, some of which he hid inside a pumpkin at his Maryland farm. The collection was known as the “Pumpkin Papers”, consisting of incriminating documents, written in what appeared to Hiss’ own hand, or typed on his Woodstock no. 230099 typewriter.
Hiss’ theory never explained why Chambers side needed another typewriter, if they’d had the original long enough to mimic its imperfections with a second.





If you were to keyword search “United States Army”, “Silver Star” and “World War II”, you’ll find among a long list of recipients the name of “Ball, Harvey A. HQ, 45th Infantry Division, G.O. No. 281”.


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