Jiles Richardson was a Texas DJ in 1958, the year he found recording success of his own with a song called “Chantilly Lace”.
Richie Valenzuela was only 16 when Del-Fi Records producer Bob Keane discovered the singer in California. “Donna”, a song he had written for his high school sweetheart Donna Ludwig, was on the way to #2 on the Billboard Hot 100, right alongside the 45’s “B” side, an old Mexican standard turned Rock & Roll tune called “La Bamba”. By 1958, Valenzuela was one of the hottest young recording artists of his time.
Charles Hardin Holley, “Buddy” to his friends and family, learned guitar, four-string banjo and lap steel guitar from his older brothers, Travis and Larry. The boy took to music at an early age, winning his first talent contest at age five. One music critic would describe the Lubbock Texas native as “the single most influential creative force in early rock and roll.” Contemporary and later musicians claiming inspiration from Holley’s work include the Beatles, the Rolling Stones, Bob Dylan, and Elvis Costello.
58 years ago, his name changed as the result of a misspelling in a recording contract, Buddy Holly was headliner of the “The Winter Dance Party Tour”. Richardson, performing as the “Big Bopper” and Valenzuela, professionally known as Ritchie Valens, were on the tour, along with Dion and the Belmonts, Holly’s friend from Lubbock and fellow musician Waylon Jennings, and a young Owasso, Oklahoma Rockabilly musician and former “Crickets” band member, an enrolled member of the Cherokee Nation named Tommy Allsup.
The musical tour included 24 cities in 3 weeks, a grueling schedule under the best of circumstances. This were anything but the best of circumstances. The tour bus had no heat. A three-week winter bus tour of the upper Midwest is no place to be without heat. It was so cold that Holly’s drummer, Carl Bunch, suffered frostbite in his feet and left the tour in Clear Lake, Iowa.
Holly was sick of it, and decided to charter a plane for himself and some of his guys. At least that would give them time to do laundry before the next performance.
Dwyer Flying Service got the charter with a 1947 Beechcraft Bonanza, at $36 per person. There’s a popular story that the four-seater aircraft was called “American Pie”, but the story is a myth. The single engine airplane bore only the tail number: N3794N.
Richardson was running a fever at the time, so Waylon Jennings gave up his seat so the Big Bopper could ride in comfort. Allsup and Valens flipped a coin for the last seat, the coin landing heads up. Ritchie Valens had won the coin toss.
On learning that Jennings wasn’t going to fly, Holly said “Well, I hope your old bus freezes up.” Jennings replied “Well, I hope your plane crashes.” It was just a good ribbing between friends. None could know that Jennings’ joke, would come true. The comment haunted Waylon Jennings for the rest of his life.
N3794N left the ground in a snowstorm, shortly after 1:00am on February 3. The pilot, Roger Peterson, may have been inexperienced with the instrumentation. He may have become disoriented in near-whiteout conditions. One wing hit the ground in a cornfield outside of Clear Lake and the aircraft corkscrewed into the ground, throwing the three musicians clear of the plane. There was no fire, barely a sound. Just a small aircraft swallowed whole, by a snow covered cornfield.
The bodies would lie in that field until late in the afternoon.
The show would go on. Needing to fill in at the next stop in Moorhead, Minnesota, they found a 15 year old talent across the state line in Fargo, and so began the musical career of Bobby Vee.
A boy named Don McLean heard about the plane crash while doing his morning paper route. One day, the future singer/songwriter would pen the words “February made me shiver, with every paper I’d deliver”.
Allsup returned to Odessa, resuming his musical career and opening a club in Dallas, in 1979. He called the place, “Tommy’s Heads Up Saloon”. A nod to the “lost” coin toss that had saved his life.
Distraught, Buddy Holly’s widow miscarried their only child, shortly after the wreck. His last song reached #1 on the UK charts on April 24, 1959, the first posthumous release ever to do so. In the US the song charted at 13 on the Billboard Hot 100. It would be Buddy Holly’s last top 20 hit in the nation.
The name of the song, was “It Doesn’t Matter Anymore.”
Inscribed on Ritchie Valens’ gravestone are the words, “Come On, Let’s Go.”
The last surviving member of Buddy Holly’s 1959 tour band passed away at the age of 85. Tommy Allsup was a big fan of Western Swing, and member of the Rockabilly Hall of Fame. Tommy’s son Austin is himself a singer/songwriter, that’s him in the picture. Austin received messages of condolence on the passing of his father, including one from Ritchie Valens’ sister. “I told her in my message back“, he said “now my dad and Ritchie can finally finish the tour they started 58 years ago.”



Groundhogs hibernate for the winter, an ability some people of my acquaintance, would love to master. During that time, the animal’s heart rate drops from 80 beats per minute to 5 as the slumbering rodent lives off stored body fat. Another ability some of us could learn to appreciate, very much.
But then there is the amorous woodchuck’s worst nightmare in a top hat, the groundhog hunter.
There are those who would dispute the Gobbler’s Knob crowd and their claims to Punxsutawney Phil’s weather forecasting prowess. Alabama has “Birmingham Bill”, and Canada has Shubenacadie Sam. New York can’t seem to decide between Staten Island Chuck and New York City’s very own official groundhog, “Pothole Pete”.
In it, a follower called Yen Yüan asked the Master about perfect virtue.
In medieval Japanese, mi-zaru, kika-zaru, and iwa-zaru translate as “don’t see, don’t hear, and don’t speak”, –zaru being an archaic negative verb conjugation and pronounced similarly to “saru”, the word for monkey.
The first known depiction of the “Three Mystic Apes” appears over the doors of the Tōshō-gū shrine in Nikkō, Japan, carved sometime in the 17th century.
Mohandas Karamchand Gandhi was a Hindu lawyer, a member of the merchant caste from coastal Gujarat, in western India. Today he is known by the honorific “Mahatma”, from Gandhithe Sanskrit meaning “high-souled”, or “venerable”.

they called him “Charles”, or “Chuck”, that was a sure sign of the mere pretender. Schulz’ uncle called him “Sparky” as a boy, after the horse Spark Plug in Billy DeBeck’s comic strip, Barney Google. He always signed the strip “Schulz”, but friends and family knew him as Sparky, until the day he died.
A Charlie Brown Christmas has been a staple of the Christmas season since 1965, though Linus almost didn’t get to tell his famous story of the baby Jesus. ABC executives thought Linus’ recitation of the birth of Christ too overtly religious. The “suits” wanted a laugh track as well, but Schulz refused. “If we don’t do it, who will?” In the end, the scene remained. Perhaps the most memorable moment in cartoon history. The laugh track version was produced, but never aired.
Charlie Brown’s love interest in some of those TV specials, the “Little Red-Haired Girl”, was based on an accountant from that old job at Art Instruction, named Donna Mae Johnson. The couple had an office romance for a time, but she turned him down when Shulz proposed.


Over fifty years, Schulz drew nearly 18,000 strips, taking vacation only once in 1997 to celebrate his 75th birthday. In all those years, that five-week stretch was the only time the papers ever had Peanuts reruns.






On the European continent, legends of St. Nicholas combined with Pagan traditions and developed in quirky directions, including an evil doppelgänger who accompanies St. Nick on his rounds.








Necessity became the mother of invention, and the needs of war led to prodigious increases in speed. No sooner was USS Massachusetts launched, than the keel of USS Vincennes, began to be laid. By the end of the war, Fore River had completed ninety-two vessels of eleven different classes.
German Intelligence believed Kilroy to be some kind of “super spook”, able to go anywhere he pleased and to leave, without a trace.

The cartoon appeared in every theater of the war, but few knew the mythical Kilroy’s true identity.
James Kilroy went on to serve as Boston City Councillor and member of the Massachusetts House of Representatives, from Halifax. Surely there is a doodle, somewhere in the “Great & General Court” up there in Boston, to inform the passer-by. Kilroy was here.
In 1955, singer-songwriter Richard Berry wrote a tune about a Jamaican sailor returning home to see his lady love. It’s a ballad, a Caribbean-flavored conversation in the first person singular, with a bartender. The bartender’s name is Louie.
It all went downhill from there. “Louie Louie, me gotta go,” became in the fevered imagination, “Louie Louie, grab her way down low.” Invented lyrics ranging from mildly raunchy to downright pornographic were written out on slips of paper and exchanged between teenagers, spurring interest in the song and driving record sales, through the roof.
Dad might have taken a breath. The pop culture scene was not so steeped in filth, as he imagined. The top television program of the time was the Beverly Hillbillies. The top movie the Disney animated production, “The Sword and the Stone”.
The FBI took up an investigation under the ITOM statute in 1964, a federal law regulating the Interstate Transportation of Obscene Material. Investigators interviewed witnesses. They listened to the song at varying speeds, backward and forward. The relentless search for lascivious material lasted two years and in the end, came up empty.
Jessica McClure Morales is 33-years old. A typical West Texas Mom, with two kids and a dog. Her life is normal in every way. She’s a teacher’s aide. Her husband Danny, works for a piping supply outfit.
Midland, Texas first responders quickly devised a plan. A second shaft would be dug, parallel to the well. Then it was left only to bore a tunnel, until rescuers reached the baby. The operation would be over, by dinnertime.



These were good signs. A baby could neither sing nor cry, if she could not breathe.
Baby Jessica came out of that well with her face deeply scarred and toes black with gangrene, for lack of blood flow. She required fifteen surgeries before her ordeal was over, but she was alive.
The story has a happy ending for baby Jessica. Not so, for many others. The New York Times wrote:
President Ronald Reagan quipped, “Everybody in America became godmothers and godfathers of Jessica while this was going on.” Baby Jessica appeared with her teenage parents Reba and Chip on Live with Regis and Kathie Lee, to talk about the incident. Scott Shaw of the Odessa American won the Pulitzer prize for The photograph. ABC made a television movie: Everybody’s Baby: The Rescue of Jessica McClure. USA Today ranked her 22nd on a list of “25 lives of indelible impact.” Everyone in the story became famous. Until they weren’t.
In April 1995, O’Donnell’s mother noticed the missing shotgun at the family ranch, in Stanton Texas. The 410 buckshot, loaded with larger pellets intended for bigger game, or self defense. They found the body some 20-miles away, slumped over the wheel of the new Ford pickup. This was no accident. You don’t put a barrel that long into your mouth, without meaning to.









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