In 1954, the fishing boat Daigo Fukuryū Maru (“Lucky Dragon No.5”) was working the grounds near the Marshall Islands, in the equatorial Pacific. At 6:45am local time, March 1, 23 fishermen were witness to “Castle Bravo”, a thermonuclear test explosion that lit up the western sky “like a sunrise”. Then came the sound the explosion. The TX-21 device with a predicted yield of 6 megatons, and code named “Shrimp”.
For eight minutes, these twenty-three men watched the mushroom cloud rise into the sky. An hour and one-half later came the fallout, the fine white dust, calcinated coral of the Bikini atoll, falling like snow from the sky.
None of the twenty-three crew members of the Lucky Dragon recognized the material as hazardous, and made no effort to avoid exposure. Some even tasted the stuff.

A few fishermen developed acute radiation sickness, over the next three days. By the time of their return to Yaizu on the 14th, all 23 were suffering from nausea, headaches, bleeding from the gums, and other symptoms. One was destined to die of a liver disorder on September 23, a complication of radiation sickness. They had entered the ranks of the “hibakusha”. The “explosion-effected people”.
The atomic explosions at Hiroshima and Nagasaki were only nine years in the past at this time, and a fierce anti-nuclear sentiment was building in Japan. In this context, there arose a metaphor for all that destruction. Literally rising from the sea, this product of the Japanese entertainment industry took the form of a monster. “Godzilla”, Ishirō Honda’s first film released by Toho Studios, this day in 1954.
The name is a portmanteau, two words combined to form a third, of the Japanese word “gorira”, (gorilla), and “kujira”, meaning whale. Godzilla was the Gorilla Whale, with the head of a Tyrannosaur, Stegasaur-like plates on his back and skin modeled after the keloid scarring of the hibakusha.
The original Godzilla (“ɡodʑiɽa”) was awakened by atomic testing and impervious to any but a nuclear weapon. Emerging from the depths with his atomic breath, havoc and destruction was always accompanied by the distinctive roar, a sound effect made by rubbing a resin glove down the strings of a bass violin, then changing the speed at playback.

The actor who played Godzilla in the original films, Haruo Nakajima, was a black belt in Judo. His expertise was used to choreograph the monster’s movements, defining the standard for most of the Godzilla films, to follow.
Originally an “it”, Godzilla was usually depicted as a “he”, although that became a little complicated with the 1998 American remake “Zilla”, when he started laying eggs.
He was a Kaiju, a Japanese word meaning “strange creature”, more specifically a “daikaiju”, meaning a really, really big one. Godzilla is the best known, but certainly not the only such creature. You may remember other kaiju, including Gamera, Mothra, King Ghidorah, Mechagodzilla and Rodan.

Godzilla has appeared in 28 original films, with more in the works. Over the course of his existence he has been a hero, a villain, and a destructive but values-neutral force of nature.
Godzilla got his own star on the Hollywood “Walk of Fame” in 2004, timed to coincide with the release of the 29th movie, “Godzilla: Final Wars.” Instead of nuclear weapons testing, this version was spawned by “environmental pollution”. It takes the superheroes of the “Earth Defense Organization” (but, of course) to freeze him back into the ice of the South Pole. The film was a flop, grossing less than $12 million after a production budget of $19 million.

The franchise came roaring back ten years later, when Godzilla was released in 2014, grossing $200 million domestically and $529.1 million on worldwide sales.
A film franchise 64 years in the making is still going strong, and will continue to do so, for the foreseeable future. Godzilla: King of the Monsters is set to be released in 2019 and Godzilla vs. Kong, in 2020.
Tip of the hat to http://www.mykaiju.com, for most of the images used in this story.


The radio drama began with a statement that, what followed, was fictional. The warning was repeated at the 40 and 55-minute mark, and again at the end of the broadcast. It began with a weather report, and then went to a dance band remote, featuring “Ramon Raquello and his orchestra”. The music was periodically interrupted by live “news” flashes, beginning with strange explosions on Mars. Producer Orson Welles made his first radio appearance as the “famous” (but non-existent) Princeton Professor Dr. Richard Pierson, who dismissed speculation about life on Mars.
A short time later, another “news flash” reported a fiery crash in Grovers Mill, NJ. What was originally thought to be a meteorite was revealed to be a rocket machine as a tentacled, pulsating Martian unscrewed the hatch and incinerated the crowd with a death ray.

South Carolina seceded in December 1860, and the world waited to see who’d follow. New York City became the next to call for secession on January 6, when Mayor Fernando Wood addressed the city’s governing body. “When Disunion has become a fixed and certain fact”, he said, “why may not New York disrupt the bands which bind her to a venal and corrupt master…and destroyed the Confederacy of which she was the proud Empire City?”

A courier express note arrived on October 7, 1945. “There are few controversies that are not susceptible to a peace time resolution” read the note, “if examined in an atmosphere of tranquility and calm rather than strife and turmoil. I would suggest the possibility of roast veal as a vehicle of peace. Why don’t you run down the fattest calf in Erie County, barbecue it and serve it with fixin’s in the old blacksmith shop where the ruckus started? Who can tell? The dissidents might decide to resume citizenship.” The note was signed “Very Sincerely Yours, Harry Truman”.![4b4cf0f864c3dabcdb_IMG_7326[1]](https://todayinhistory.blog/wp-content/uploads/2018/10/4b4cf0f864c3dabcdb_img_73261.jpg?w=684&h=513)




Farmers used gunpowder, fire and water, anything they could think of, to destroy what could only be seen as a plague of biblical proportion. They smeared them with “hopperdozers”, a plow-like device pulled behind horses, designed to knock jumping locusts into a pan of liquid poison or fuel, or even sucking them into vacuum cleaner-like contraptions.
And then the locust went away, and no one is entirely certain, why. It is theorized that plowing, irrigation and harrowing destroyed up to 150 egg cases per square inch, in the years between swarms. Great Plains settlers, particularly those alongside the Mississippi river, appear to have disrupted the natural life cycle. Winter crops, particularly wheat, enabled farmers to “beat them to the punch”, putting away stockpiles of food before the pestilence reached the swarming phase.
On this day in 1987, Jessica McClure’s life was anything but normal. Frightened and alone, “Baby Jessica” was stuck twenty-two feet down, at the bottom of a well.

The sun went down that Wednesday and rose the following day and then it set, and still, the nightmare dragged on.


Yet, the suffering inflicted by the curse of the Black Sox and that of the Bambino, pales in comparison with the 108-year drought afflicting the Chicago Cubs since back-to-back championships in 1907/1908. And they say it’s the fault of a Billy goat.
Billy Sianis himself is gone now, but they brought his nephew Sam onto the field with a goat in 1984, to help break the curse. They did it again in 1989, 1994 and 1998, and always the same result.
For fourteen years, Chicago mothers frightened wayward children into behaving, with the name of Steve Bartman.
The cookies pictured above were baked in 2016, and that might’ve finally done it. That’s right. The Mother of all Droughts came to a halt in extra innings of game seven, following a 17-minute rain delay. At long last, Steve Bartman could emerge from Chicago’s most unforgiving doghouse, his way now lit by his own World Series ring. The ghost of Billy Sianis’ goat, may finally rest in peace.
Elsbeth had to flee with her infant son in the harsh winter of 1945, as the oncoming Soviet Red Army destroyed all in its path. The two would escape the Iron Curtain once again in 1948, this time in a dangerous nighttime dash which the then-four year old remembers, to this day.
By this time, Joachim Krauledat had taken to calling himself John Kay. The band added a couple new members in 1967, changing their name to a character from a Herman Hesse novel. “Steppenwolf”.
Steppenwolf gave us 22 albums, and we all know them in one way or another. Yet, the lead singer’s escape from the horrors of the Iron Curtain, is all but unknown. That, as Paul Harvey used to say, is the Rest of the Story.
Florence Margaret Martus was born there in 1868, where her father worked as an ordnance sergeant. Martus spent her childhood on the south channel of the Savannah River, moving in with her brother, keeper of the Cockspur Island Lighthouse, when she was 17.
So it was that Miss Martus would take out her handkerchief by day or light her lantern by night, and she would greet every vessel that came or went from the Port of Savannah. Every one of them. Some 50,000 vessels, over 44 years.


The Southeastern Shipbuilding Corporation of Savannah built 88 Liberty ships during the course of World War II, the light, low-cost cargo ship which came to symbolize the industrial output of the American economy.

Terror gripped the region in the later months of 1764, as the Beast attacked women, men and children. Usually while alone, and often while tending livestock.







This was the world of bare knuckle boxing in the age of John L. Sullivan. He thrived in that world. The urban prize ring was his “temple of manhood”. He intended to be its Crown Prince.

Sullivan’s unbeaten record over 44 professional fights came to an end on July 9, 1892, when “Gentleman Jim” Corbett unloaded a smashing left in the 21st round that put the champion down, for good. Sullivan would later say that his opponent only “gave the finishing touches to what whiskey had already done to me.”

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